This is going to be of interest mostly to my fellow old-timers.
I found some notes I made at a comic convention I went to in New York City in the summer of 1975. It was in a hotel attached to Grand Central Station and put on on by a VIP of early comics fandom named Phil Seuling. I saw a panel with Steve Gerber, Howard Chaykin, Jim Starlin, and Berni (not yet Bernie) Wrightson. Al Milgrom too? I can't remember. Thirty-six years ago.....
Jim Starlin, asked about comic books as literature, said that "in 25 years, I think comics will be right up there with Reader's Digest." (A magazine not revered for literary merit.)
Someone asked the panel about all the killing in comics. Chaykin said, "I'm non-violent; I love violence. Movement is beautiful." The violence in his work, Chaykin said, was not about carnage, but action, motion.
Berni Wrightson on Jack Kirby: "His drawing doesn't do much for me." But he praised Kirby for great storytelling. Chaykin echoed Wrightson on that point, but added that he didn't think he personally had learned much of anything from Kirby.
("King" Kirby at this stage was an admired and imitated old pro, if not quite as revered as he became later when I think his age spurred people to consider his place in the pantheon of comics artists.)
In contrast, Starlin said, "everything I learned about storytelling, I learned from Kirby... and Ditko."
Starlin, who was very popular at this point because of his work on Warlock and Captain Marvel, was asked by an audience member for advice on getting into comics, said "Practice, and plan on a hard time." The comics business was in a serious slump at this point and Starlin was probably speaking for a lot of industry insiders when he said it was going to get worse.
With shocking candor, Wrightson, who was also very hot at this point, said that he was only making $2000-$10,000 a year. I suppose this would be like making $10,000 to $50,000 now. One of the panelists said the average monthly book was only making $500 in profit a month. Who knows if there's any basis for this figure. But comics only cost about a quarter at this point and the cost of paper was rising. Television continued its decades-long erosion of comics sales. Videogames didn't exist yet though and many, many titles were selling hundreds of thousands of copies an issue, a level of sales that on a printed monthly book will probably never be attained again.
I didn't write this down, but I seem to remember Chaykin, ever quotable and provocative, taking pains to explain that pro artists weren't really into comics the way we fans were. He got his free copies from Marvel and DC each month and gave them away to kids in his neighborhood.
JH
Apologies for any misquoting or inaccurate paraphrasing. I was 17!
I found some notes I made at a comic convention I went to in New York City in the summer of 1975. It was in a hotel attached to Grand Central Station and put on on by a VIP of early comics fandom named Phil Seuling. I saw a panel with Steve Gerber, Howard Chaykin, Jim Starlin, and Berni (not yet Bernie) Wrightson. Al Milgrom too? I can't remember. Thirty-six years ago.....
Jim Starlin, asked about comic books as literature, said that "in 25 years, I think comics will be right up there with Reader's Digest." (A magazine not revered for literary merit.)
Someone asked the panel about all the killing in comics. Chaykin said, "I'm non-violent; I love violence. Movement is beautiful." The violence in his work, Chaykin said, was not about carnage, but action, motion.
Berni Wrightson on Jack Kirby: "His drawing doesn't do much for me." But he praised Kirby for great storytelling. Chaykin echoed Wrightson on that point, but added that he didn't think he personally had learned much of anything from Kirby.
("King" Kirby at this stage was an admired and imitated old pro, if not quite as revered as he became later when I think his age spurred people to consider his place in the pantheon of comics artists.)
In contrast, Starlin said, "everything I learned about storytelling, I learned from Kirby... and Ditko."
Starlin, who was very popular at this point because of his work on Warlock and Captain Marvel, was asked by an audience member for advice on getting into comics, said "Practice, and plan on a hard time." The comics business was in a serious slump at this point and Starlin was probably speaking for a lot of industry insiders when he said it was going to get worse.
With shocking candor, Wrightson, who was also very hot at this point, said that he was only making $2000-$10,000 a year. I suppose this would be like making $10,000 to $50,000 now. One of the panelists said the average monthly book was only making $500 in profit a month. Who knows if there's any basis for this figure. But comics only cost about a quarter at this point and the cost of paper was rising. Television continued its decades-long erosion of comics sales. Videogames didn't exist yet though and many, many titles were selling hundreds of thousands of copies an issue, a level of sales that on a printed monthly book will probably never be attained again.
I didn't write this down, but I seem to remember Chaykin, ever quotable and provocative, taking pains to explain that pro artists weren't really into comics the way we fans were. He got his free copies from Marvel and DC each month and gave them away to kids in his neighborhood.
JH
Apologies for any misquoting or inaccurate paraphrasing. I was 17!
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