These jpegs are presented to help you to a finer handling of the ins and outs of facial structure. I did these a couple years back to help a grad student. He was a good page designer and storyteller, but admitted he'd been forgetting to use all he knew about facial structure. (The school couldn't let him go out with samples that showed such amateurishness, and so he was graduated conditioned upon his making some few revisions to his thesis project based upon these notes.) Click on them to enlarge.
Hope these are helpful for you guys. In the second illo, I'm showing how starting with simple, attractively proportioned structure can allow his own line work to be repositioned into something dimensional and nice-looking. Handling that far half of the face is really tricky, largely because all its surfaces are rounding away from the viewer's eye, and because we unknowingly treat it as flat in places.
JH
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